Le parole della musica. Vol. III
Studi di lessicologia musicale
2000, cm 17 x 24, xii-318 pp.
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Complete with an index of noteworthy names, objects and words, this is a collection of 11 essays of musical lexicology. The items studied go from Renaissance terminology to Angelo Berardi’s lexicon, to the use of synaesthesia in Vigolo’s essays, from semantics of «scala» to that of «cavatina», «romanza» and «rondò», from 18th century theatrical essays and librettos to Donizetti’s correspondence, from Italian critics of Brahms to the first ethnomusicologists.