I fratelli d’Orfeo
Gluck e il teatro musicale massonico tra Vienna e Parigi
1998, cm 17 x 24, xvi-370 pp. con 21 ill. f.t.
- About this book
Through an interdisciplinary reading, on an historical documentary basis, of the works comprising the reform of melodrama according to Gluck the unexpected presence of a complex and occult chain of masonic patronage is identified. The discovery solves the series of unexplained dramaturgical incongruities that still encumber this repertoire and alter the aspect of a reform whose theatrical products appear strongly conditioned in the depths of their dramatic structure by the discovery of their symbolic and ideological contents.
Buy the ebook from an our partner's store