Il mondo e il sovra-mondo dell’icona
1998, cm 17 x 24, xvi-254 pp. con 63 tavv. f.t. di cui 12 a colori e 14 figg. n.t.
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From the ontological uncertainty concerning the possibility of symbolizing transcendency, of rendering the spirit physically evident, to a theological issue for the differences in sensitivity between the two Churches of the West and the East and the distinct ways they relate themselves to sacred art – or icons – as representation or significance of sacredness. Two different ways of interpreting this phenomenon are clearly investigated and illustrated with a wide selection of iconographies.
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