Teatro musicale e accademie a Perugia
tra dominazione francese e restaurazione (1801-1830)

Through a systematical investigation of various source types, the events of Perugia’s musical theatre in the first decades of the nineteenth century have been reconstructed: operas, musicians, singers, dancers and scene-painters but also impresarios, the organization of theatrical life and the audience’s taste.

Biancamaria Brumana

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